After an impressive debut album with 2017's Jardín, the R&B and funk aficionado returns with new sounds.

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The self-described "tenderpunk" project of L.A. producer-engineer Sarah Tudzin reckons with the simultaneous blessing and curse of "fortitude and weakness both in spades."

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Harrison Smith contorts his voice like a carnival act through thumping bass lines, video game guitars and a singalong chorus.

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The first single from the Chicago emo band's debut album, Somewhat Literate, bubbles with big hooks, classic rock solos and pending adulthood.

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New single from upcoming album is more French-inspired swing-jazz, coupled with a Colombian tropical flair.

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Like a balloon escaping the hands of a child or fallen leaf bobbing and floating downstream, the Canadian singer accepts the unpredictable nature of his path.

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This has got seventh-inning stretch stadium rock anthem written all over it.

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As news swirls about culpability for Prince's death, his estate has released a major find: a long-lost 1984 recording of his classic composition, along with rare video footage from his rehearsals.

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The first single from the metal band's fourth album, Ordinary Corrupt Human Love, offers a gift for the patient Deafheaven listener.

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Newfound infatuation is tenuous and uncertain, but Rosa Walton and Jenny Hollingworth revel in it for as long as they can.

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The Nuyorican rapper, best known for her relentless flow and urban bruja vibe, pens a love letter to the emo and pop-punk she loved growing up on her new mixtape, A Girl Cried Red.

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Davis dances the pas de deux of a divided heart in a song co-written with Alex Toth of Rubblebucket,

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Elise Davis frankly explores sexual desire and casual relationships in a buoyantly arranged song co-written with Maren Morris and Frank Romano.

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The Dallas rapper examines America's racist history with an acrimonious and captivating flow.

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Violin plucks, finger snaps and a slick flow percolate on "Nont For Sale," the first taste of Sudan Archives' upcoming EP Sink.

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