<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:npr="https://www.npr.org/rss/" xmlns:nprml="https://api.npr.org/nprml" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:media="http://search.yahoo.com/mrss/" version="2.0">
  <channel>
    <title>NPR Series: Reporter&apos;s Notebook</title>
    <link>https://www.npr.org/templates/story/story.php?storyId=1930200</link>
    <description>An occasional series of essays for NPR.org written by NPR correspondents and other contributors.</description>
    <language>en</language>
    <copyright>Copyright 2024 NPR - For Personal Use Only</copyright>
    <generator>Story API Shim 1.2.24</generator>
    <lastBuildDate>Thu, 03 Apr 2025 04:45:25 -0400</lastBuildDate>
    <image>
      <url>https://media.npr.org/images/podcasts/primary/npr_generic_image_300.jpg?s=200</url>
      <title>NPR Series: Reporter&apos;s Notebook</title>
      <link>https://www.npr.org/series/1930200/reporter-s-notebook</link>
    </image>
    <item>
      <title>The case for nixing the Oscars&apos; best international feature category</title>
      <description>In the extraordinary new age of subtitled streaming and globalized filmmaking, the Oscar category is becoming a caricature of itself as a relic of the past.</description>
      <pubDate>Tue, 22 Mar 2022 05:01:00 -0400</pubDate>
      <link>https://www.npr.org/2022/03/22/1087968378/best-international-feature-film-category-oscars</link>
      <guid>https://www.npr.org/2022/03/22/1087968378/best-international-feature-film-category-oscars</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2022/03/21/final-final-iff_wide-7c32d3c42a7e6a663d0d8935ecc2d5ad0daf6dda.jpg' alt='This year's Oscar nominees for best international feature film: <em>Hand of God; Lunana: A Yak in the Classroom; Flee; The Worst Person in the World; Drive My Car</em>'/><p>In the extraordinary new age of subtitled streaming and globalized filmmaking, the Oscar category is becoming a caricature of itself as a relic of the past.</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=1087968378' />]]></content:encoded>
      <dc:creator>Bilal Qureshi</dc:creator>
    </item>
    <item>
      <title>With &apos;Dune,&apos; Denis Villeneuve has made Hollywood&apos;s definitive post-9/11 epic</title>
      <description>With the new 2021 movie, director Denis Villeneuve turns the novel&apos;s meditations on race, culture and colonialism into riveting and undeniable cinema.</description>
      <pubDate>Thu, 21 Oct 2021 11:33:39 -0400</pubDate>
      <link>https://www.npr.org/2021/10/21/1047784204/dune-2021-movie-sept-11-frank-herbert-denis-villeneuve</link>
      <guid>https://www.npr.org/2021/10/21/1047784204/dune-2021-movie-sept-11-frank-herbert-denis-villeneuve</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2021/10/21/rev-1-du-10745rv4_high_res_jpeg_custom-46e7ab384d3285c3a6e82a9abf03a030ed8c95a2.jpeg' alt='Rebecca Ferguson as Lady Jessica Atreides, Zendaya as Chani, Javier Bardem as Stilgar, and Timothée Chalamet as Paul Atreides'/><p>With the new 2021 movie, director Denis Villeneuve turns the novel's meditations on race, culture and colonialism into riveting and undeniable cinema.</p><p>(Image credit: Chiabella James)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=1047784204' />]]></content:encoded>
      <dc:creator>Bilal Qureshi</dc:creator>
    </item>
    <item>
      <title>&apos;It Seemed Apocalyptic&apos; 40 Years Ago When Mount St. Helens Erupted</title>
      <description>Howard Berkes covered the 1980 eruptions of Mount St. Helens for NPR and has returned to the volcano for multiple stories over the years. He recalls the massive blast and its aftermath.</description>
      <pubDate>Mon, 18 May 2020 05:01:00 -0400</pubDate>
      <link>https://www.npr.org/2020/05/18/854829288/it-seemed-apocalyptic-40-years-ago-when-mount-st-helens-erupted</link>
      <guid>https://www.npr.org/2020/05/18/854829288/it-seemed-apocalyptic-40-years-ago-when-mount-st-helens-erupted</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2020/05/13/img571_506w_500h-4d9146a71171f21438ca6d0f262a47609cf33d77.jpg' alt='An aerial view of the Plinian eruption column, Mount St. Helens, on May 18, 1980.'/><p>Howard Berkes covered the 1980 eruptions of Mount St. Helens for NPR and has returned to the volcano for multiple stories over the years. He recalls the massive blast and its aftermath.</p><p>(Image credit: Robert Krimmel)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=854829288' />]]></content:encoded>
      <dc:creator>Howard Berkes</dc:creator>
    </item>
    <item>
      <title>Reporter&apos;s Notebook: In Small-Town Russia, &apos;Football Is My Life&apos;</title>
      <description>Millions of Russian adults and children play soccer on various levels. In one small town, three generations of soccer players take on the meaning of the game and the World Cup.</description>
      <pubDate>Wed, 04 Jul 2018 04:56:00 -0400</pubDate>
      <link>https://www.npr.org/2018/07/04/624188051/reporters-notebook-in-small-town-russia-football-is-my-life</link>
      <guid>https://www.npr.org/2018/07/04/624188051/reporters-notebook-in-small-town-russia-football-is-my-life</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2018/07/02/1_custom-d02501ed1fc22a4d1d0db94bb4bf5b47a042254b.jpg' alt='Aleksandr Purgayev (left) and Aleksandr Selyukh grew up together, and both played for their town's soccer team in the 1970s. Purgayev is now the team's coach.'/><p>Millions of Russian adults and children play soccer on various levels. In one small town, three generations of soccer players take on the meaning of the game and the World Cup.</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=624188051' />]]></content:encoded>
      <dc:creator>Alina Selyukh</dc:creator>
    </item>
    <item>
      <title>Baseball, Vietnam And Coming Of Age At The 1969 World Series</title>
      <description>On Oct. 15, 1969, hundreds of thousands marched in Washington to protest the Vietnam War. But it was also Game 4 of the World Series, and NPR&apos;s Brian Naylor, then 14, knew where he had to be.</description>
      <pubDate>Wed, 15 Oct 2014 17:44:10 -0400</pubDate>
      <link>https://www.npr.org/2014/10/15/356435069/baseball-vietnam-and-coming-of-age-at-the-1969-world-series</link>
      <guid>https://www.npr.org/2014/10/15/356435069/baseball-vietnam-and-coming-of-age-at-the-1969-world-series</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2014/10/15/ticket_custom-5d22b63c4f60c96962367de268758ef98f1ac85c.jpg' alt='A ticket for that fateful game.'/><p>On Oct. 15, 1969, hundreds of thousands marched in Washington to protest the Vietnam War. But it was also Game 4 of the World Series, and NPR's Brian Naylor, then 14, knew where he had to be.</p><p>(Image credit: Brian Naylor)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=356435069' />]]></content:encoded>
      <dc:creator>Brian Naylor</dc:creator>
    </item>
    <item>
      <title>In Appalachia, Poverty Is In The Eye Of The Beholder</title>
      <description>NPR&apos;s Pam Fessler was told that Eastern Kentuckians would be reluctant to talk because they were tired of being depicted as the poster children of the War on Poverty. Instead, she got an earful.</description>
      <pubDate>Sat, 18 Jan 2014 10:38:00 -0500</pubDate>
      <link>https://www.npr.org/2014/01/18/263629452/in-appalachia-poverty-is-in-the-eye-of-the-beholder</link>
      <guid>https://www.npr.org/2014/01/18/263629452/in-appalachia-poverty-is-in-the-eye-of-the-beholder</guid>
      <content:encoded><![CDATA[<p>NPR's Pam Fessler was told that Eastern Kentuckians would be reluctant to talk because they were tired of being depicted as the poster children of the War on Poverty. Instead, she got an earful.</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=263629452' />]]></content:encoded>
      <dc:creator>Pam Fessler</dc:creator>
    </item>
    <item>
      <title>Dwindling Middle Class Has Repercussions For Small Towns</title>
      <description>As the U.S. recovers from the Great Recession, one fact that&apos;s emerging is that while jobs are coming back, most of these jobs are either high- or low-paying jobs. Middle-class jobs are not coming back, and it&apos;s evident in towns across the Midwest like Lincoln, Ill.</description>
      <pubDate>Tue, 12 Nov 2013 03:04:00 -0500</pubDate>
      <link>https://www.npr.org/2013/11/12/242999770/reinventing-the-dwindling-middle-class-may-take-a-revolution</link>
      <guid>https://www.npr.org/2013/11/12/242999770/reinventing-the-dwindling-middle-class-may-take-a-revolution</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2013/11/11/lincoln-train_wide-4a5ace48b051d365883878a58019d96433385b5a.jpg' alt='When reporter Kelly McEvers stepped off the train in Lincoln, Ill., she asked, "What happened to my hometown?"'/><p>As the U.S. recovers from the Great Recession, one fact that's emerging is that while jobs are coming back, most of these jobs are either high- or low-paying jobs. Middle-class jobs are not coming back, and it's evident in towns across the Midwest like Lincoln, Ill.</p><p>(Image credit: Kelly McEvers)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=242999770' />]]></content:encoded>
      <dc:creator>Kelly McEvers</dc:creator>
    </item>
    <item>
      <title>Does Capitalism Work? A True/False Quiz In Times Square</title>
      <description>&quot;Starting a conversation about capitalism is like walking up to a stranger and asking, &apos;Can I talk to you about Jesus?&apos;&quot; says artist Steve Lambert. The best way to talk about the C-word, he says, is to make it personal. His giant art installation in New York challenges passers-by to weigh in.</description>
      <pubDate>Sat, 05 Oct 2013 06:08:00 -0400</pubDate>
      <link>https://www.npr.org/2013/10/05/229192177/does-capitalism-work-a-true-false-quiz-in-times-square</link>
      <guid>https://www.npr.org/2013/10/05/229192177/does-capitalism-work-a-true-false-quiz-in-times-square</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2013/10/04/Capitalism_wide-e76f7f4c70970cddc28c94b05a890726a0375808.jpg' alt='Steve Lambert's art installation asks people to vote in an effort to open up the discussion about capitalism. That word can be a red flag for many, Lambert says.'/><p>"Starting a conversation about capitalism is like walking up to a stranger and asking, 'Can I talk to you about Jesus?'" says artist Steve Lambert. The best way to talk about the C-word, he says, is to make it personal. His giant art installation in New York challenges passers-by to weigh in.</p><p>(Image credit: Jake Schlichting)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=229192177' />]]></content:encoded>
      <dc:creator>Margot Adler</dc:creator>
    </item>
    <item>
      <title>Midcentury Furniture + Grandkid Nostalgia = Modern Trend</title>
      <description>It first showed up in the 1950s and &apos;60s — think low-slung sofas, egg-shaped chairs and the set of &lt;em&gt;Mad Men&lt;/em&gt;. Today, midcentury modern furniture is &quot;blazing hot,&quot; as one dealer puts it. One explanation is that people often like what their grandparents liked.</description>
      <pubDate>Wed, 29 May 2013 17:11:00 -0400</pubDate>
      <link>https://www.npr.org/2013/05/29/187084448/midcentury-furniture-grandkid-nostalgia-modern-trend</link>
      <guid>https://www.npr.org/2013/05/29/187084448/midcentury-furniture-grandkid-nostalgia-modern-trend</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2013/05/29/dining-set2_custom-2c9d556f9d5d86fc197eee738c3d4a8d2fcbcc63.jpg' alt='NPR's Andrea Hsu paid $75 for her midcentury modern table and chairs, shown here in a 1963 Drexel Declaration catalog. She quickly realized it was a steal.'/><p>It first showed up in the 1950s and '60s — think low-slung sofas, egg-shaped chairs and the set of <em>Mad Men</em>. Today, midcentury modern furniture is "blazing hot," as one dealer puts it. One explanation is that people often like what their grandparents liked.</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=187084448' />]]></content:encoded>
      <dc:creator>Andrea Hsu</dc:creator>
    </item>
    <item>
      <title>Discovering A Family Member&apos;s Lost Time In Amsterdam</title>
      <description>When Margot Adler learned that a cousin had hidden from the Nazis in Amsterdam, she was stunned. Adler started digging around and discovered that like Anne Frank, 25,000 Dutch Jews hid, and two-thirds of them survived. Her cousin was one of them.</description>
      <pubDate>Tue, 21 May 2013 16:40:58 -0400</pubDate>
      <link>https://www.npr.org/2013/05/21/182676360/discovering-a-family-members-lost-time-in-amsterdam</link>
      <guid>https://www.npr.org/2013/05/21/182676360/discovering-a-family-members-lost-time-in-amsterdam</guid>
      <content:encoded><![CDATA[<img src='https://media.npr.org/assets/img/2013/05/13/suzanne-2009_wide-e0255e16cce4ad2f68498b7f7dc1f9959dc07b21.jpg' alt='Suzanne Hoogendijk, shown here in 2009, hid for two years with her mother in Amsterdam to escape the Nazis.'/><p>When Margot Adler learned that a cousin had hidden from the Nazis in Amsterdam, she was stunned. Adler started digging around and discovered that like Anne Frank, 25,000 Dutch Jews hid, and two-thirds of them survived. Her cousin was one of them.</p><p>(Image credit: Margot Adler)</p><img src='https://media.npr.org/include/images/tracking/npr-rss-pixel.png?story=182676360' />]]></content:encoded>
      <dc:creator>Margot Adler</dc:creator>
    </item>
  </channel>
</rss>